The Wordhord

The Wordhord is indeed a treasure trove of old English words, written with deep affection and expertise by Hana Videen. If you speak a Scandinavian or Germanic language, you will be delighted to meet many older cousins of English words here. For instance, I knew that a dead body was a Leiche in German. ButContinue reading “The Wordhord”

English in the Nordic Countries

Would you enter an establishment offering fifty shades of skrei?* If you would, is that still English? Who decides who gets a piece of the English (fish?) pie? Who is English for? “Native” speakers, scholars, professionals, politicians? Or children, teenagers and gamers? It was an absolute delight to discuss all these questions and more atContinue reading “English in the Nordic Countries”

Space crone writing

Le Guin was writing before I was born and I’ll be reading her long after she died. The first Earthsea book came into the world seven years before I did, and I loved them. Like her, it took me a little while to notice that the heroes were men. To notice the women were onContinue reading “Space crone writing”

Writing vengeance

I will write to avenge my people, writes Ernaux. Revenge, writes Szymborska. Why do these Nobelists write vengeance? Sixty years ago, Ernaux wrote a sentence in her diary, that was the springboard for her Nobel lecture: ‘I will write to avenge my people, j’écrirai pour venger ma race’. It echoed Rimbaud’s cry: ‘I am ofContinue reading “Writing vengeance”

Women writing socially in academia: the lineage of an idea

You might not notice when you started writing something. An idea can take years to develop, and years more to come to fruition. But looking back can be revealing and help you look forward. If you’ve never tried this, I absolutely recommend it. Inspired by Margy Thomas and Helen Sword in #Acwrimoments8 I decided toContinue reading “Women writing socially in academia: the lineage of an idea”

Lydia Davis – Essays One

Here is one of those delightful books that lure you into the pages of their fellows. Reading it, I kept wanting to send photos of pages to particular people. And to read what she’s been reading. By the end, I felt I had made a new friend. Lydia Davis is deftly insightful about her ownContinue reading “Lydia Davis – Essays One”

Writing with Pleasure

Writing with Pleasure is a pleasure to read. I whizzed through it on the train down to facilitate a writing retreat. I was travelling to a pleasurable writing experience, with people I had written with before as individuals, though not in the same group. But I also knew the experience would be a pain. IContinue reading “Writing with Pleasure”

We wrote a book

This week, with two colleagues, I sent a book we had edited off to the publisher for peer review. This same week, I finished the first draft translation of another book. I’m working on that one with the author and a master’s student on placement with me. So in both cases, we were a teamContinue reading “We wrote a book”

Social writing – a guide in Finnish

I am delighted to see this book come into being. Johanna Isosävi’s and Camilla Lindholm’s Yhteisöllisen kirjoittamisen opas (Art House 2023) came out last month. It’s the first guide to social writing in Finnish. The book is both practical and inspirational; it packs a lot into a handy paperback. Lindholm and Isosävi run social writingContinue reading “Social writing – a guide in Finnish”

The carrier bag theory of fiction

If you read one thing about writing this year, try this. It’s tiny – but transformative. Ursula Le Guin’s own writing is beautiful and she writes about writing wisely, from Words are my Matter to Steering the Craft. But here she goes back to the first stories at the dawn of time and forward toContinue reading “The carrier bag theory of fiction”