Even if the content of your work hasn’t changed that much lately, everything else has, so your concentration might be less than perfect. These ideas aren’t rocket science, but recently they helped me focus on writing (and editing and translating), so I hope they help you concentrate on your work too. And if you don’t recognise that headline, or even if you do, here’s the story behind it.
Stop before you start
Try doing something creative and nonverbal before starting to write – thank you Kalpana Shankar for this idea. Play music, exercise, stretch or sketch, get a different part of your brain working. Whatever suits you.
How much of your time is really spent working when you’re “working”? Some people use time trackers to measure this and split their day into chunks – the Pomodoro method. If you find getting offline and into your work very hard, try it. Writing in short bursts of as little as five minutes is called “snack writing”. It’s a good place to start.
If you can’t write it, write about it
You can approach writing in three ways: 1) write it (the project), 2) write about it, or 3) write how you feel about it. So you are always writing something relevant to your work – thank you Jo Garrick for this approach. It can help to a separate document for writing about your project, or a diary to record and reflect on your whole situation. Some people keep a distraction diary. Notice what’s stopping you getting started and you’ll find ways of dealing with it. If you speak Finnish, try these suggestions from Finnish authors.
Protect your ears
If possible, get yourself some decent headphones for talking online and to muffle the noise of other people nearby. Thanks to Thomas Nyberg for this advice:
If more people put on headphones, it might reduce the feedback on conference calls.
Any headphones without a microphone make things better for you, without making things worse for others, though they might hurt after hours of wear. You might need to turn down the volume – in your Windows sound settings you might even have an audio equalizer or tone control. On a Mac, you can buy tools for this, like SoundSource.
Smartphone earbuds may be safest and cheapest. Apple’s EarPods (the ones with cords that came out before the wireless AirPods) are comfortable for long periods for some people, depending on your ear shape. If your laptop has a TTRS connector, you could pick up the microphone on the earbud cord and it can be surprisingly good.
The best way to get decent audio is a made-for-teleconferencing headset, like the Jabra Evolve 40 Ms. USB headsets for gaming are often better value for money, show up as a standalone audio device on your computer, and usually have mute buttons.
Top-range noise-cancelling headphones like the Bose QuietComfort 35s are wireless and comfortable for long periods, but don’t often have mute buttons, so you have to mute them in your software. Even cheap Bluetooth headsets like the JBL Tune 500BT can work with microphones, but are not as comfortable for several hours.
Choose your sounds
Some people like to listen to brain.fm and others like YouTube channels like Study Music Alpha Waves. I like classical music e.g. BBC Radio 3; I will pick a concert to listen to and write until it’s over (my favourite is the Early Music Show but that’s quite niche). Try the BBC’s special culture in quarantine programming, including Max Richter’s Sleep. (Thank you Susannah Goss for recommending writing to Max Richter!) Unlike the TV, you should be able to get BBC radio online wherever you are.
Lots of editors and translators love MyNoise; it is a fantastic app which allows you to enter a soundscape anywhere from an Amazon rainforest to the Irish sea coast. I have a few favourite channels and if I really can’t settle, I use this.
Enjoy the sound of silence
Increase silence offline when it’s noisy online: walk or open the window and listen to the birds and the wind. If you can’t get out of the house, take a break and go birdwatching in Scotland or Finland. Some people like to use meditation apps like Headspace.
Make sure you move every hour. Don’t sit still for longer than that.
If you find yourself drifting online and into social media, it’s probably time to get up and move. I’ve noticed since lockdown that I need to move more and for longer during breaks, so I’m more likely to work for five one-hour slots than three to four 90-minute slots. In editor speak, “stet” means “leave it as it stands” and so a “StetWalk” is a walk when you get away from your text and leave it be. If you can’t get out for a StetWalk or want to save yours for the end of the day, try a StetDance. One song might be enough – or make a whole playlist, or go to your favourite radio station for a break. I use a mini trampoline and a hula hoop, too. Or go and do some housework for a bit and suddenly work looks more attractive again…
Stop in time
You can’t do more than about five hours of really concentrated work like writing in one day. If you do more, you’ll end up having to do less the next day, or the quality you’re producing will plummet pretty fast. Most importantly, now is not the time to push yourself too far, too soon, as Aisha Ahmad so brilliantly explains. If you quit while you’re ahead, you’ll be ready to start again tomorrow. Go easy on yourself.
Find your community
Thank you to the members of the Rowena Murray Writing Group, Wendy Baldwin and the MET Humanities and Social Sciences virtual co-writers, and the Ridge Writers Group, especially Chloe Wells, for your ideas and your friendship during my working day, and beyond. If you don’t want to write alone, why not set a time to talk about it with someone and write together?